Amorphous characters, dizzying patterns and a tongue-in-cheek perspective on contemporary life. Ryan Travis Christian’s densely rendered graphite works blend witty observation with a vintage cartoon aesthetic. “I hate drawing people realistically,” summarises the artist; “I prefer wiggly, bug-eyed versions of them.”
Currently based in suburban Chicago, Ryan Travis Christian was born in Oakland, California, and studied at Northern Illinois University. Inspired by black and white cartoons from 1920s and 1930s — the silent animation era of Felix The Cat and Steamboat Willie — along with 1980s pop culture and American suburbia, the artist recasts mundane activities as zany graphic fantasies. Recurring features in these surreal narratives include brick houses, condoms and animals, while their titles often draw on phrases borrowed from movies, cartoons or music. Recent works tackle issues such as immigration, depression or the American dream, and reflect on the paradoxical relationship between childish cartoons and ominous messages.